Works Cited

• Anzaldúa, Gloria. Borderlands / La Frontera: The New Mestiza: 25th Anniversary 4th Edition. 1987. Aunt Lute Books, 2012.
• Babitz, Eve. Eve’s Hollywood. 1974. New York Review of Books, 2015.
• Barad, Karen. “On Touching — The Inhuman That Therefore I Am.” differences, Vol. 23, No. 3, 2012, pp. 206-223.
• ---. “No Small Matter: Mushroom Clouds, Ecologies of Nothingness, and Strange Topologies of Spacetimemattering.” Tsing, Swanson, Gan, and Bubandt, pp. 103-120.
• Brown, Sherronda J. “White sexuality is a breeding ground for white violence.” Black Youth Project, 30 October 2017. http://blackyouthproject.com/white-sexuality-is-a-breeding-ground-for-white-violence/. Accessed December 2018.
• Butler, Octavia. Kindred. 1979. Beacon Press, 2003.
• Cacho, Lisa Marie. Social Death: Racialized Rightlessness and the Criminalization of the Unprotected. New York University Press, 2012.
• Cixous, Hélène. “The Laugh of the Medusa.” New French Feminisms: An Anthology, edited by Elaine Marks and Isabelle de Courtivron, University of Massachusetts Press, 1980.
• Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton University Press, 1992.
• Creed, Barbara. “Horror and the Monstrous-Feminine: An Imaginary Abjection,” The Dread of Difference: Gender and the Horror Film, edited by Barry Keith Grant, University of Texas Press, 1996.
• da Silva, Denise Ferreira. “Toward a Black Feminist Poethics: The Quest(ion) of Blackness Toward the End of the World." The Black Scholar, Vol. 44, No. 2, 2014, pp. 81-97.
• Dayan, Colin. The Law is a White Dog: How Legel Rituals Make and Unmake Persons. Princeton University Press, 2011.
• Derrida, Jacques. Specters of Marx. Translated by Peggy Kamuf. 1993. Routledge, 2006.
• Espiritu, Yến Lê. “Critical Refugee Studies and Native Pacific Studies,” American Quarterly, Vol 69, No 3, 2017, pp. 483-490.
• Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Duke University Press, 2010.
• Fusco, Coco. “Racial Time, Racial Marks, Racial Metaphors.” Only Skin Deep: Changing Visions of the American Self, ed. Coco Fusco and Brian Wallis, International Center of Photography, 2003, pp 13–48.
• Gabrielson, Teena. “The Enactment of Intention and Exception through Poisoned Corpses and Toxic Bodies.” Mattering: Feminism, Science, and Materialism, edited by Victoria Pitts-Taylor, New York University Press, 2016, pp. 173-187.
• Gilmore, Ruth Wilson. “Abolition Geography and the Problem of Innocence.” Futures of Black Radicalism, ed. Gaye Theresa Johnson and Alex Lubin, Verso, 2017, pp 225-240.
• Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination. 1997. University of Minnesota Press, 2008.
• Harris, Aisha. “The Most Terrifying Villain in Get Out Is White Womanhood.” Slate, 7 March 2017. https://slate.com/culture/2017/03/how-get-out-positions-white-womanhood-as-the-most-horrifying-villain-of-all.html. Accessed December 2018.
• Hayashi, Kyoko. From Trinity to Trinity, translated by Eiko Otake, Station Hill of Barrytown Press, 2010.
• hooks, bell. “Eating the Other: Desire and Resistance.” Black Looks: Race and Representation, South End Press, 1992, pp 21-39.
• Howard, June. “What Is Sentimentality?” American Literary History, Vol. 11, No., Spring, 1999, pp 63-81.
• Hunt, Samantha. Mr. Splitfoot. Houghton Mifflin Harcourt, 2016.
• LaDuke, Winona. “In the Time of the Sacred Spaces.” The Winona LaDuke Chronicles: Stories from the Front Lines in the Battle for Environmental Justice, edited by Sean Aaron Cruz, Spotted Horse Press, 2016, pp. 64-75.
• Latimer, Tira True. “Life in the Archives.” Open Space, SFMOMA. 27 January 2012. https://openspace.sfmoma.org/2012/01/life-in-the-archives/. Accessed December 2018.
• Lim, Eugene. Dear Cyborgs. Farrar, Straus, and Giroux, 2017. ---. “Second Person.” Collaboration with Shannon Steneck. 7x7, 26 April 2018. http://7x7.la/second-person/. Accessed December 2018.
• Lorde, Audre. Sister Outsider. 1984. Crossing Press, 2007.
• Love, Heather. Feeling Backward: Loss and the Politics of Queer History. Harvard University Press, 2007.
• McKittrick, Katherine. Demonic Grounds: Black Women and the Cartographies of Struggle. University of Minnesota Press, 2006.
• Milstein, Cindy. Rebellious Mourning: The Collective Work of Grief, AK Press, 2017.
• Morrison, Toni. Beloved. 1987. Vintage Books, 2004.
• Moten, Fred. “Black Mo’nin.” Loss: The Politics of Mourning, ed. David L. Eng and David Kazanjian, University of California Press, 2003, pp 59-76.
• --- Black and Blur. Duke University Press, 2017.
• Notley, Alice. At Night The States. Yellow Press, 1987.
• Pahl, Jon. Empire of Sacrifice: Origins of American Violence. NYU Press, 2012.
• Patterson, Orlando. Slavery and Social Death: A Comparative Study. Harvard University Press, 1982.
• Pulido, Laura. “Geographies of race and ethnicity II: Environmental racism, racial capitalism, and state-sanctioned violence.” Progress in Human Geography, Vol 41, No 4, 2017, pp. 524-533.
• Takemoto, Tina. “Looking for Jiro Onuma: A Queer Meditation on the Incarceration of Japanese Americans During World War II.” GLQ Vol 20, No 3, 2014, pp 241-275.
• TallBear, Kim. “Beyond the Life/Not-Life Binary: A Feminist-Indigenous Reading of Cryopreservation, Interspecies Thinking, and the New Materialisms.” Cryopolitics: Frozen Life in a Melting World, eds. Joanna Radin and Emma Kowal, MIT Press, 2017, pp 179-202.
• Thompson, Carlyle Van. Eating the Black Body: Miscegenation as Sexual Consumption in African American Literature and Culture. Peter Lang Publishing, 2006.
• Tu, Thuy Linh Nguyen, The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion, Duke University Press, 2011.
• Schwartz, Regina. The Curse of Cain: The Violent Legacy of Monotheism. University of Chicago Press, 1997.
• Silko, Leslie Maron. Ceremony. 1977. Penguin, 1986. ---. “An Expression of Profound Gratitude to the Maya Zapatistas, January 1, 1994.” Yellow Woman and a Beauty of the Spirit, Simon & Schuster, 1996, pp 152-154.
• Tsing, Anna, Heather Swanson, Elaine Gan, and Nils Bubandt, editors. Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.
• Vizenor, Gerald, Manifest Manners: Narratives on Postindian Survivance. 1994. First Bison Books, 1999.
• Yoneyama, Lisa. Cold War Ruins: Transpacific Critique of American Justice and Japanese War Crimes. Duke University Press, 2016.
• --- Hiroshima Traces: Time, Space, and the Dialectics of Memory. University of California Press, 1999.
• Ziyad, Hari. “How The Narrative Around White Women’s Innocence Taught Me To Let Them Get Away With Violence.” AFROPUNK, 3 April, 2017, http://afropunk.com/2017/04/how-the-narrative-around-white-womens-innocence-taught-me-to-let-them-get-away-with-violence/. Accessed December 2018.

Films and Television Shows Cited

• Black Panther. Directed by Ryan Coogler, Marvel Studios, 2017.
• Coco. Directed by Lee Unkrich, Pixar Animation Studios, 2017.
• Get Out. Directed by Jordan Peele, Blumhouse Productions, 2017.
• Hereditary. Directed by Ari Aster, A24, 2018.
• Looking for Jiro. Directed by Tina Takemoto, 2011.
• Twin Peaks: Fire Walk With Me. Directed by David Lynch, New Line Cinema, 1992.
• Twin Peaks: The Return. Directed by David Lynch, Showtime, 2017.

Songs Cited

• Ocean, Frank. “White Ferrari.” Blonde, Boys Don't Cry, 2016.
• Staples, Vince. “745.” Big Fish Theory, Blacksmith and Def Jam, 2017.
• West, Kanye. “We Don’t Care.” The College Dropout, Def Jam and Roc-a-Fella, 2004.

Copyright © 2020 Laura Henriksen